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2001
La Musardine
Patrice Lamare
La démarche de Gottfried Helnwein est différente. C’est l’enfant victime qui est son sujet. Victime, mais également sauveur, comme dans l’une de ses plus belles œuvres, “Kindskopf”, exposée dans l’eglise médiévale de Krems en Autriche, en 1991.
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15. abril 2000
The State Russian Museum St. Petersburg
Evgenija Petrova
Repubblica Di San Marino
( Christ in Russian Art )
catalogue
Antico Monastero di Santa Chiara "E’ sicuramente importante dimostrare, per la prima volta nell’Europa Occidentale, la comune fede in un unico Signore risorto" Mons. Michel Berger ...
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2000
Ruhr-Universität Bochum
* Fachbereich: Amerikanistik - Literatur
Frank Brinkmann
in ausgewählten Kurzgeschichten: William Wilson, The Tell-Tale Heart, The Man of the Crowd.
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2000
UNC Press
edited by Townsend Ludington
The modernist movement has shaped our era as has no other. This insightful collection of original essays explores the impact of modernism on American culture and the ways in which modernism remains a key to understanding American art and society.
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2000
Rolling Stone
Publisher: Chronicle Books
Fred Woodward
Editor Hardcover: 252 pages
Philip Burke, Anita Kunz, Bob Dylan, Neil Young, Robert Risko, Robert Grossman, Milton Glaser, Ralph Steadman, Paul Davis, Shirley Manson, David Bowie, Marilyn Manson, Mark Ryden, Austin Powers, Mick Jagger, Keith Richards, Steve Brodner, Julian Allen, Joni Mitchell, Gottfried Helnwein, Christina Ricci, Suzanne Vega, Las Vegas, The Notorious.
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2000
DuMont Buchverlag, Köln
Andreas Mäckler
Herausgeber "Kunst ist die einzige Freiheit, die uns geblieben ist."
Gottfried Helnwein (*1948, österr. Maler/Graphiker) (Seite 135) ...
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01. abril 1999
Walter de Gruyter
Paul Pfisterer
In Cooperation With Claire Pfisterer
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1999
AB Bookman Publications
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1999
University of Michigan Press
Gerd Gemunden
Framed Visions analyzes the pivotal role American mass media and popular culture have played in shaping the political, social, and psychological identity of postwar Germans and Austrians. Through detailed readings of films, novels, plays, and poems of a variety of contemporary artists--including Rainer Werner Fassbinder, Wim Wenders, Elfriede Jelinek, Herbert Achternbusch, Monika Treut, Peter Handke, and Rolf Dieter Brinkmann. Gerd Gemunden reveals the paradoxical stance of this generation toward American politics and Hollywood aesthetics.
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01. agosto 1998
Ahriman-Verlag GmbH
Fritz Erik Hoevels
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