 | |  | |  | |
| |
| |
||||||
| |
||||||||
| | | |
 |  |  |
|
01. noviembre 2002
University Press of Missisippi
Jackson
Donald Ault
Editor
CARL BARKS - CONVERSATIONS
Helnwein talks with Carl Barks, Oregon, June, 11, 1992
Disney artist Carl Barks (1901-2000) created one of Walt Disney's most famous characters, Scrooge McDuck. Barks also produced more than 500 comic book stories. His work is ranked among the most widely circulated, best-loved, and most influential of all comic book art.
Although the images he created are known virtually everywhere, Barks was an isolated storyteller, living in the desert of California and preferring to labor without public fanfare during most of his career. The influence of Barks's work on such filmmakers as George Lucas and Steven Spielberg and on such artists as Gottfried Helnwein has extended Barks's significance far beyond the boundaries of comics. |
||
| | |
|
(pages: 140 - 154)
|
||
| | |
||||
|
HELNWEIN TALKS WITH CARL BARKS
Oregon, July 11, 1992
Barks:
"... I preferred to work with the duck - I could push Donald around, let him get into an accident, I could let him fall off a cliff, or whatever I wanted. It was lots of fun with Donald. With Mickey that would have been dangerous, because he always had to be loved and had to be victorious in all situations. With Donald I had a comedian who I could treat badly and who I could make fun of." |
||||||
|
||||||
| | |
| | |
|
HELNWEIN-INTERVIEW IN NEW BOOK ABOUT CARL BARKS
|
||
| | |
|
Chronology
(excerpt)
1992 Gottfried Helnwein conducts an extensive interview with Barks (11 July) at Grants Pass 1994-97 Helnwein organizes the first retrospective museum show, “Die Ente ist Mensch geworden – Das zeichnerische Werk von Carl Barks” (And the Duck Became Flesh – The Art of Carl Barks), consisting of more than 400 original art works, 290 from the collection of Helnwein, which opens in Münchner Stadtmuseum, in Munich; the exhibit appears in ten different museums in Europe and is seen by more than 400, 000 people. |
||
| | |
|
University press of Mississippi, books and catalogues
FEBRUARY, 6 x 9 inches, 248 pages (approx.), chronology, 25 b&w illustrations, index
ISBN 1-57806-500-3, unjacketed cloth, $46.00S ISBN 1-57806-501-1, paper, $18.00T Conversations with Comic Artists Series BISAC ART004000 BISAC BIO001000 BISAC SOC022000 Photo credit: Courtesy of Barbara Boatner |
||
| | |
|
REVIEW:
01. July 2003
www.eclectica.org Donald Ault, University Press of Mississippi Kevin McGowin review CARL BARKS: CONVERSATIONS Helnwein talks with Carl Barks For me, the real highpoint of Conversations is the 1992 interview with Gottfried Helnwein, the Austrian-born creative genius whom Donald Ault has justly called "One of the greatest conceptual artists of the past hundred years." |
||
| | |
||||
|
||||||
| | |
| | |
|
Wer ist Carl Barks.
von Gottfried Helnwein Broschiert - 293 Seiten - Neff, Bayreuth Erscheinungsdatum: 1993 ISBN: 3811853414Wer ist Carl Barks. |
||
 |
|||
| 01. noviembre 2002 | University Press of Missisippi | Donald Ault | |
|
|||
|
HELNWEIN TALKS WITH CARL BARKS, Oregon, July 11, 1992
